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・ Sophagasenus
・ Sophal Ear
・ Sophalexios
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・ Sophat
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・ Sophea Duch
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Sophia (Gnosticism)
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・ Sophia (journal)
・ Sophia (name)
・ Sophia (Nerina Pallot song)
・ Sophia (novel)
・ Sophia (Sophia Abrahão EP)
・ Sophia (The Crüxshadows EP)
・ Sophia (wisdom)
・ Sophia A. Nelson
・ Sophia Abrahão
・ Sophia Abrahão (album)
・ Sophia Abrahão discography
・ Sophia Academy
・ Sophia Aggelonitis


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Sophia (Gnosticism) : ウィキペディア英語版
Sophia (Gnosticism)

Sophia (Greek Σοφíα, meaning "wisdom," Coptic τcοφια ''tsophia'') is a major theme, along with Knowledge (Greek γνῶσις ''gnosis'', Coptic ''sooun''), among many of the early Christian knowledge-theologies grouped by the heresiologist Irenaeus as ''gnostikos'', "learned." Gnosticism is a 17th-century term expanding the definition of Irenaeus' groups to include other syncretic and mystery religions.
In Gnostic tradition, Sophia is a feminine figure, analogous to the human soul but also simultaneously one of the feminine aspects of God. Gnostics held that she was the syzygy of Jesus Christ (i.e. the Bride of Christ), and Holy Spirit of the Trinity. She is occasionally referred to by the Hebrew equivalent of ''Achamōth'' (Ἀχαμώθ, Hebrew חכמה ''chokhmah'') and as ''Prunikos'' (Προύνικος). In the Nag Hammadi texts, Sophia is the lowest Aeon, or anthropic expression of the emanation of the light of God. She is considered to have fallen from grace in some way, in so doing creating or helping to create the material world.
==Gnostic mythos==

Almost all Gnostic systems of the Syrian or Egyptian type taught that the universe began with an original, unknowable God, referred to as the Parent or Bythos, or as the Monad by Monoimus. From this initial unitary beginning, the One spontaneously emanated further Aeons, being pairs of progressively 'lesser' beings in sequence. Together with the source from which they emanate they form the ''Pleroma'', or fullness, of God, and thus should not be seen as distinct from the divine, but symbolic abstractions of the divine nature. The transition from the immaterial to the material, from the noumenal to the sensible, is brought about by a flaw, or a passion, or a sin, in one of the Aeons.
In most versions of the Gnostic mythos, it is Sophia who brings about this instability in the Pleroma, in turn bringing about the creation of materiality. According to some Gnostic texts, the crisis occurs as a result of Sophia trying to emanate without her syzygy or, in another tradition, because she tries to breach the barrier between herself and the unknowable Bythos. After cataclysmically falling from the Pleroma, Sophia's fear and anguish of losing her life (just as she lost the light of the One) causes confusion and longing to return to it. Because of these longings, matter (Greek: ''hylē'', ὕλη) and soul (Greek: ''psychē'', ψυχή) accidentally come into existence. The creation of the Demiurge (also known as Yaldabaoth, "Son of Chaos") is also a mistake made during this exile. The Demiurge proceeds to create the physical world in which we live, ignorant of Sophia, who nevertheless manages to infuse some spiritual spark or ''pneuma'' into his creation.
In the ''Pistis Sophia'', Christ is sent from the Godhead in order to bring Sophia back into the fullness (Pleroma). Christ enables her to again see the light, bringing her knowledge of the spirit (Greek: ''pneuma'', πνευμα). Christ is then sent to earth in the form of the man Jesus to give men the Gnosis needed to rescue themselves from the physical world and return to the spiritual world. In Gnosticism, the Gospel story of Jesus is itself allegorical: it is the Outer Mystery, used as an introduction to Gnosis, rather than being literally true in a historical context. For the Gnostics, the drama of the redemption of the Sophia through Christ or the Logos is the central drama of the universe. The Sophia resides in all of us as the Divine Spark.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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